000			03968cam a2200565 i 4500
001			u160810
003			SIRSI
005			20240916205843.0
008			200206t20202020waua b 001 0 eng d
010			_a 2020932708
020			_a9780295747620 _q(hardcover)
020			_a0295747625 _q(hardcover)
020			_a9780295747637 _q(paperback)
020			_a0295747633 _q(paperback)
020			_z9780295747644 _q(ebook)
035			_a(OCoLC)1164391400 _z(OCoLC)1151491291 _z(OCoLC)1151520272 _z(OCoLC)1239319397 _z(OCoLC)1240180825
050	0	0	_aTR139 _b.F47 2020
082	0	4	_a770.922 _223
082	0	4	_a770.9 _223
100	1		_aFerrer, Elizabeth, _eauthor.
245	1	0	_aLatinx photography in the United States : _ba visual history / _cElizabeth Ferrer.
264		1	_aSeattle : _bUniversity of Washington Press, _c[2020]
264		4	_c
300			_axxiv, 252 pages : _billustrations (some color) ; _c24 cm.
334			_asingle unit _2rdami
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
340			_gpolychrome. _2rdacc
340			_pillustrations.
353			_abibliography _bbibliography
353			_aindex _bindex
490	1		_aThe Jacob Lawrence series on American artists
504			_aIncludes bibliographical references (pages 219-239) and indexes.
505	0		_aRoots and antecedents, 1840-1960s -- The rise of a Latinx consciousness in American photography, 1960s-1980s -- Documents, 1970s-present -- LA Chicanx -- Staging self, narrating culture -- Family -- The archive -- Geographies -- Conceptual statements -- Puerto Rico, connected and apart.
520	8		_aWhether at UFW picket lines in California's Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States. Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s. Ferrer argues that in many cases a shared sense of struggle has motivated photographers to work purposefully, driven by a deep sense of resistance, social and political commitments, and cultural affirmation, and she highlights the significance of family photos to their approaches and outlooks. Works range from documentary and street photography to narrative series to conceptual projects. Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history.
650		0	_aHispanic American photographers.
650		0	_aPhotography, Artistic.
650		6	_a
650		6	_aPhotographie artistique.
650		7	_aart photography. _2aat
650		7	_aHispanic American photographers. _2fast _0(OCoLC)fst00957434
650		7	_aPhotography, Artistic. _2fast _0(OCoLC)fst01061964
655		7	_aArt criticism. _2fast _0(OCoLC)fst02003312
655		7	_aArt criticism. _2lcgft
655		7	_aCritiques d'art. _2rvmgf
830		0	_aJacob Lawrence series on American artists.
949	e	x	_a \\ _cc.1 _lON-ORDER _tBOOK _xPRINT _p
999			_a770.92 F385 LATINX _wDEWEY _c7217 _i51994001718727 _f7/3/2023 _g1 _lCIRCSTACKS _mLRC _p$27.55 _rY _sY _tBOOK _u8/12/2022 _xPRINT _d7217