000			03327cam a2200541 i 4500
001			u159389
003			SIRSI
005			20240916205800.0
007			ta ||||||||||||||||||||
008			140728s2015 enka b 001 0 eng
010			_a 2014013120
020			_a9780199982875 _q(cloth ; _qacid-free paper)
020			_a0199982872 _q(cloth ; _qacid-free paper)
035			_a(OCoLC)877369533 _z(OCoLC)900657132 _z(OCoLC)906022016 _z(OCoLC)906182339
050	0	0	_aPN1995.9.A8 _bZ33 2015
082	0	0	_a791.4301/9 _223
092			_a791.4301 _bZ16f
100	1		_aZacks, Jeffrey M.
245	1	0	_aFlicker : _byour brain on movies / _cJeffrey M. Zacks.
264		1	_aOxford ; _aNew York : _bOxford University Press, _c[2015]
300			_axi, 342 pages : _billustrations ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 305-325) and index.
505	0		_aPrologue: A trailer -- From up on a screen to inside your head : Your brain wasn't built for movies ; The movie in your head ; Tearjerkers and sitcoms ; How movies make memories ; The dark side -- The tricks that make movies work : Action! ; Cut! ; Bottlenecks, spotlights, and chunks ; Sleight of hand ; Virtual futures ; Epilogue: Stinger.
520			_a"How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and lasting memories. They reshape our emotions and worldviews - but why? In Flicker, Jeff Zacks delves into the history of cinema and the latest research to explain what happens in your head when you sit down in the theatre and the lights go out. Some of the questions Flicker answers: Why do we flinch when Rocky takes a punch in Sylvester Stallone's movies, duck when the jet careens toward the tower in Airplane!, and tap our toes to the dance numbers in Chicago or Moulin Rouge? Why do so many of us cry at the movies? What's the difference between what happened in real life - and can we always tell the difference? To answer these questions and more, Flicker gives us an engaging, fast-paced look at the mind's fascinating relationship with the silver screen."--Jacket.
650		0	_aMotion picture audiences _xPsychology.
650		0	_aMotion pictures _xPsychological aspects.
650		0	_aEmotions.
650		0	_aCognition.
650		7	_aCognition. _2fast _0(OCoLC)fst00866457
650		7	_aEmotions. _2fast _0(OCoLC)fst00908819
650		7	_aMotion picture audiences _xPsychology. _2fast _0(OCoLC)fst01027120
650		7	_aMotion pictures _xPsychological aspects. _2fast _0(OCoLC)fst01027364
630	0	7	_aBibel _pPhilemonbrief _2gnd
650		7	_aWahrnehmung _2gnd
650		7	_a _2gnd
650		7	_aPublikum _2gnd
650		7	_aPublik. _2sfit
650		7	_aPsykologi och film. _2sfit
650		7	_aFilmteori. _2sfit
650		7	_aFilmpublik. _2sao
650		7	_aFilmpsykologi. _2sao
650		7	_a _2sao
650		7	_aKognition. _2sao
949			_cc.1 _lCIRCSTACKS _tBOOK _xPRINT _p
999			_a791.4301 Z16F _wDEWEY _c6002 _i51994001714189 _f7/3/2023 _g2 _lCIRCSTACKS _mLRC _p$27.95 _rY _sY _tBOOK _u1/29/2020 _xPRINT _d6002