| 000 | 03231cam a2200517 a 4500 | ||
|---|---|---|---|
| 001 | u158699 | ||
| 003 | SIRSI | ||
| 005 | 20240916205740.0 | ||
| 008 | 061026s2007 flua bc 000 0 eng | ||
| 010 | _a 2006036053 | ||
| 015 |
_aGBA710220 _2bnb |
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| 020 | _a9780943411491 | ||
| 020 | _a0943411491 | ||
| 024 | 8 | _a99817217121 | |
| 035 |
_a(OCoLC)74569415 _z(OCoLC)1022708221 |
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| 050 | 0 | 0 |
_aND237.O5 _bA4 2007 |
| 050 | 0 | 4 |
_aN44.O64 _bO642 2007 |
| 082 | 0 | 0 |
_a759.13 _222 |
| 092 |
_a759.13 _bOk41gc |
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| 100 | 1 |
_aO'Keeffe, Georgia, _d1887-1986. |
|
| 245 | 1 | 0 |
_aGeorgia O'Keeffe : _bcircling around abstraction / _cessays by Jonathan Stuhlman and Barbara Buhler Lynes. |
| 250 | _a1st ed. | ||
| 260 |
_aWest Palm Beach, Fla. : _bNorton Museum of Art ; _aNew York : _bHudson Hills Press, _c |
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| 300 |
_a134 pages : _billustrations (chiefly color) ; _c28 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _aPublished in connection with an exhibition held at the Norton Museum of Art, West Palm Beach, Georgia O'Keeffe Museum, Santa Fe, and Minneapolis Institute of Arts, 2007-2008. | ||
| 504 | _aIncludes bibliographical references. | ||
| 505 | 0 | _aForeword -- Acknowledgments -- Circling around abstraction -- Georgia O'Keeffe : identity and place -- Plates -- List of plates. | |
| 520 | _aFrom the Publisher: One of America's most innovative and popular artists, Georgia O'Keeffe is rightfully celebrated as a pioneer who worked in her own style and on her own terms. Perhaps O'Keeffe's most significant contribution to art history was her unique approach to abstraction. From her groundbreaking charcoal drawings of 1915 to her final paintings from the 1970s over the course of a career spanning more than seven decades Georgia O'Keeffe consistently incorporated swirling circular forms into her compositions. Her innovative use of this motif as a means of abstraction stands in contrast to the strategies adopted by many of her peers, which tended to be Cubist-based, using straight lines and angles rather than curves and circles. Using the circle and its kin-the ellipse, the oval, the spiral, and the arcing line-O'Keeffe explored the shifting terrain between abstraction and representation, sometimes calling upon them forms to represent a mood, a reaction to a sensation, or the spiritual essence of a subject. | ||
| 600 | 1 | 0 |
_aO'Keeffe, Georgia, _d1887-1986 _vExhibitions. |
| 600 | 1 | 6 |
_aO'Keeffe, Georgia, _d1887-1986 _vExpositions. |
| 600 | 1 | 7 |
_aO'Keeffe, Georgia, _d1887-1986. _2fast _0(OCoLC)fst00047825 |
| 650 | 1 | 7 |
_aSchilderijen. _2gtt |
| 651 | 7 |
_aVerenigde Staten. _2gtt |
|
| 655 | 7 |
_aExhibition catalogs. _2fast _0(OCoLC)fst01424028 |
|
| 655 | 7 |
_aExhibition catalogs. _2lcgft |
|
| 700 | 1 | _aStuhlman, Jonathan. | |
| 700 | 1 |
_aLynes, Barbara Buhler, _d1942- |
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| 710 | 2 | _aNorton Museum of Art. | |
| 710 | 2 | _aGeorgia O'Keeffe Museum. | |
| 710 | 2 | _aMinneapolis Institute of Arts. | |
| 856 | 4 | 1 |
_3Table of contents _uhttp://catdir.loc.gov/catdir/toc/ecip073/2006036053.html |
| 949 |
_cc.1 _lON-ORDER _tBOOK _xPRINT _p |
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| 999 |
_a759.13 OK41GC _wDEWEY _c5429 _i51994001560467 _f7/3/2023 _g2 _lCIRCSTACKS _mLRC _p$50.00 _rY _sY _tBOOK _u7/24/2019 _xPRINT _d5429 |
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