Duane Michals [videorecording] : (1939-1997) / film concept & scenario, Theodore E. Haimes, Ed Howard, Duane Michals, ... [et al.]. produced and directed by Ed Howard, Theodore R. Haimes ; a film by Tuckernuck Productions Inc.

Contributor(s): Material type: FilmFilmPublication details: New York, NY : Checkerboard Foundation, Inc., c1978.Description: 1 videocassette (14 min.) : sd., col. ; 1/2 in; 1 videodisc (14 min.) : sd., b&w and col. ; 4 3/4 inOther title:
  • (1939-1997)
Subject(s): Genre/Form:
Contents:
Bogeyman -- Human Condition -- People Eat People -- Spirit Leaves the Body -- Things Are Queer -- Pleasures of the Glove -- Chance Meeting.
Production credits:
  • Film editor, Dennis O'Connor ; filmed by Theodore R. Haimes.
Duane Michals; spirit, Sean Kernan.Summary: While he has worked in commercial photography, as an artist Duane Michals is intent on expressing ideas -- desire, time, youth, death -- as opposed to capturing images, using visual narratives and symbolism to convey and interpret the human condition. Michals is known for sequences of shots with a narrative theme, several of which appear in this film, and for a fascination with writing, not normally thought of as a vital element in photography. In this film, Michals invites an audience along, as he examines some of the questions that inform his art
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

This disc has been recorded using DVD-R equipment and may not play in all DVD players.

Bogeyman -- Human Condition -- People Eat People -- Spirit Leaves the Body -- Things Are Queer -- Pleasures of the Glove -- Chance Meeting.

Film editor, Dennis O'Connor ; filmed by Theodore R. Haimes.

Duane Michals; spirit, Sean Kernan.

While he has worked in commercial photography, as an artist Duane Michals is intent on expressing ideas -- desire, time, youth, death -- as opposed to capturing images, using visual narratives and symbolism to convey and interpret the human condition. Michals is known for sequences of shots with a narrative theme, several of which appear in this film, and for a fascination with writing, not normally thought of as a vital element in photography. In this film, Michals invites an audience along, as he examines some of the questions that inform his art

There are no comments on this title.

to post a comment.