The Civil War and American art / Eleanor Jones Harvey.

By: Contributor(s): Material type: TextTextPublisher: Washington, D.C. : Smithsonian American Art Museum ; New Haven, Connecticut : in association with Yale University Press, [2012]Description: xvii, 316 pages : illustrations ; 33 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780300187335
  • 0300187335
  • 9780937311981
  • 0937311987
Subject(s): Genre/Form: DDC classification:
  • 740.973/074753 23
LOC classification:
  • N6510 .H37 2012
Online resources:
Contents:
Foreword / Elizabeth Brown and Thomas Campbell -- Introduction -- Landscapes and the metaphorical war -- The art of wartime photography -- The human face of war -- Abolition and emancipation -- Aftermath -- Catalogue of the exhibition.
Summary: "The American Civil War was arguably the first modern war. Its grim reality, captured through the new medium of photography, was laid bare. American artists could not approach the conflict with the conventions of European history painting, which glamorized the hero on the battlefield. Instead, many artists found ways to weave the war into works of art that considered the human narrative--the daily experiences of soldiers, slaves, and families left behind. Artists and writers wrestled with the ambiguity and anxiety of the Civil War and used landscape imagery to give voice to their misgivings as well as their hopes for themselves and the nation. This important book looks at the range of artwork created before, during, and following the war, in the years between 1859 and 1876. Author Eleanor Jones Harvey examines the implications of the war on landscape and genre painting, history painting, and photography, as represented in some of the greatest masterpieces of 19th-century American art. The book features extensive quotations from men and women alive during the war years, alongside text by literary figures including Emily Dickinson, Mark Twain, and Walt Whitman, among many others"-- Provided by publisher.
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Books Books Odessa College Stacks 740.973 H341C (Browse shelf(Opens below)) 1 Available 51994001699505
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Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum in Washington, D.C., from November 16, 2012 through April 28, 2013, and at the Metropolitan Museum of Art, New York City, from May 21-September 2, 2013.

Includes bibliographical references (pages 274-293) and index.

"The American Civil War was arguably the first modern war. Its grim reality, captured through the new medium of photography, was laid bare. American artists could not approach the conflict with the conventions of European history painting, which glamorized the hero on the battlefield. Instead, many artists found ways to weave the war into works of art that considered the human narrative--the daily experiences of soldiers, slaves, and families left behind. Artists and writers wrestled with the ambiguity and anxiety of the Civil War and used landscape imagery to give voice to their misgivings as well as their hopes for themselves and the nation. This important book looks at the range of artwork created before, during, and following the war, in the years between 1859 and 1876. Author Eleanor Jones Harvey examines the implications of the war on landscape and genre painting, history painting, and photography, as represented in some of the greatest masterpieces of 19th-century American art. The book features extensive quotations from men and women alive during the war years, alongside text by literary figures including Emily Dickinson, Mark Twain, and Walt Whitman, among many others"-- Provided by publisher.

Foreword / Elizabeth Brown and Thomas Campbell -- Introduction -- Landscapes and the metaphorical war -- The art of wartime photography -- The human face of war -- Abolition and emancipation -- Aftermath -- Catalogue of the exhibition.

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