Walt whitman, where the future becomes present / edited by David Haven Blake and Michael Robertson.

Includes bibliographical references and index.

Introduction: Loos'd of limits and imaginary lines / David Haven Blake and Michael Robertson -- The visionary Whitman / David Lehman -- Epic and lyric: the Aegean, the Nile, and Whitman / Wai Chee Dimock -- Walt Whitman and the poetics of reprinting / Meredith L. McGill -- "Debris," creative scatter, and the challenge of editing Whitman / Kenneth M. Price -- Civil War religion and Whitman's Drum-taps / Michael Warner -- Walt Whitman's song of democracy / Benjamin R. Barber -- The twentieth-century artistic reception of Whitman and Melville / Angela Miller -- So long, so long! Walt Whitman, Langston Hughes, and the art of longing / Ed Folsom -- Whitman and the idea of infinity / James Longenbach -- Walt Whitman, Latino poet / Kirsten Silva Gruesz.

"Whitman's poetry is full of places where he directly addresses his future readers, acknowledges the time span between them, then shrugs it off. "The greatest poet," he writes in his preface to Leaves of Grass, "places himself where the future becomes present." By celebrating the complex legacy of Leaves of Grass, the ten essayists in this spirited collection affirm the truth of its premise: "Past and present and future are not disjoined but joined."" "Walt Whitman, Where the Future Becomes Present invigorates Whitman studies by garnering insights from a diverse group of writers and intellectuals. Writing from the perspectives of art history, political theory, creative writing, and literary criticism, the contributors place Whitman in the center of both world literature and American public life. The volume is especially notable for being the best example yet published of what the editors call the New Textuality in Whitman studies, an emergent mode of criticism that focuses on the different editions of Whitman's poems as independent works of art."--BOOK JACKET.